for bassoon, ambisonics, and sound-reactive lighting

A collaboration with composer John Aulich and light designer José del Avellanal Carreño

Je mets mon scaphandre explores an indirect example of the ‘leaky body’ in the form of a concert-length work for bassoon, live electronics, and sound-reactive lighting. The built-in spatialisation and ‘leaky’, unstable nature of the bassoon is brought into dialogue with this theory, amplified and translated with live electronics, and represented visually by a dynamic, live lighting system, which directly responds to the musical material.

Documentary (commissioned by the IKF Goethe-Institut)

sponsored by:

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